Poemas del destierro / Poems of Exile

Usually I post things about education or immigration.

Sometimes I post things on poetry.

So I thought, why not? 

This is about my father, and it is about his poetry, his beautiful poetry, which I want to translate completely, one day.  So this is the beginning... 

Today is my papi's birthday. He would have been 94 years young today, & he is still with me everyday, in everything I do. Looking at some old books, then, I decided to translate the prologue he wrote to his small book of poetry, of course, dedicated A MI ESPOSA/TO MY WIFE... 

I think this is the small birthday present I can give you, Papi. Little by little I will try to translate your book, and maybe, I will try to republish it, somehow, someday... Happy happy birthday, where ever you are!

Losing Paradise... Perder el paraíso

I’ll be off these next couple of weeks, a bit of repose after a long haul. 

Perder el Paraíso (Losing Paradise) by Tomás Sánchez, Cuban painter and engraver
http://tomassanchez.net/eng/work/paintings

But we won the asylum case for a young refugee mom with two children from Honduras, so I think I can take a little break before beginning again on a new case: a mother with two children who escaped from the Guatemala/El Salvador border. Her husband and brother-in-law were killed, and the maras — the gangs — tried to kill her son too, but their dog began to bark and saved him. 

PAINTING OVER GRAFFITI ON WALLS IS NOT THE SAME AS BLEACHING OUT BLOOD FROM PEOPLE’S COLLECTIVE MEMORY

The recent publication of the second damning GIEI report, first publicized in the New York Times with subsequent coverage on National Public Radio is clear evidence that the Ayotzinapa movement has endured the test of time by staying in the world’s attention almost two years after the forced disappearance of the 43 normalistas. The Interdisciplinary Group of Independent Experts responsible for the GIEI Report (named such for its acronym in Spanish) was created by the Inter-American Commission on Human Rights on March 2015 to investigate what happened to the 43 students on September 26, 2014 in Iguala, Guerrero.

Guernica by Pablo Picasso, 1937 Museo Reina Sofia, Madrid, Spain
Guernica warns humanity against the devastation of war & suffering: aren't the forced disappearances of Ayotzinapa an annihalation of the worst sort?

I Do Not Exist.... UNDOCUMENTED!

I went to see the play Deferred Action this past weekend, a wonderful production about the trials and tribulations of the DACA movement, and the real lives it touches.

I hope the play catches on and begins to make its rounds in other cities: it is defnitely worth seeing.

Erik during the 2011 "I am a DREAM Voter" Campaign 

In any case, this play depicts the ongoing conflict brought on by the onslaught of deportation, and how DACA and the DREAM Act are trying to counter deportation's horrible effects. Millions of young people who were brought to the United States as children are now finding themselves in limbo, or their parents are in the crosshairs. Although the US government wants to deny these young people the only home they have ever known — the United States — they cannot call their home country their own either, because in most cases, they do not even remember it.

The Refugee Problem under USA's Rug in a Future Without Poverty

I have been too busy in the day-to-day to write anything much these days, but I did want to post my talk at the recent two-day conference presented by Future Without Poverty and dedicated to Reducing Global Poverty Through Grassroots Sustainable Actions. 

My husband Andrés L. Pacheco and I have been working with refugee populations at our southern border for the past few years, and we presented some of our findings during one of these excellent sessions. I am hoping to be able to post more in the future, but at least — for now — I can present my own, “The Chronic 'Refugee Problem' Under USA's Rug: Migration Along Our Southern Border." Andrés informally spoke about our process — what it is we do from beginning to end with the people we come into contact with — while I had a more formal, even if short, talk prepared. 

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We began to work with refugees when we went to the border to help out in McAllen, Texas, along with people from the entire city and beyond in the state and country, as well as interdenominational organizations who put aside their politics because what we were suffering at the border was a humanitarian crisis.

May Day, Things Change; Things Stay the Same...

I was looking through my old May Day activities, and I came across this letter I had written to my petition followers two years ago, in 2014. Back then I had a little over 4000 signatures, yet today we have 10,141. 

Has that made any difference? Unfortunately, no. 

Indeed, what is a stark awakening — when looking at this piece from two years ago — is that conditions are eerily similar, if not worse. Though more people seem to know about our conditions, more people seem to condone them too, or look the other way. 

We must not give up. We must keep fighting, struggling to make a difference, a change for the better. 

I am a Man: Mural Design Artist Marcellous Lovelace
Based on Civil Rights movement, Sanitation Workers' Protest March, Memphis, 3/28/1968
photograph © Ana M. Fores Tamayo

The Rebellion of Los Mojados / LA REBELION DE LOS MOJADOS

My last post was from millenials and the vote, and how important it is. Now I bring you back longtime activist and frequent contributor Julio César Guerrero, telling us about the Xicano vote...

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Back in 1954, the Mexican film industry released an iconic movie entitled LA REBELION DE LOS COLGADOS. Based on a novel by B. Traven, the movie told the story of a Chamula Indian family that ended up working as slaves in the mahogany rich jungles of Chiapas, illustrating the socio economic conditions prevalent during the Porfirio Dias dictatorship, which brought about the Agrarian Revolution of 1910. It goes without saying that when the movie came out, things hadn’t changed that much under the reign of the PRI, which may explain why the film begins with the disclaimer, "Today Mexico is one of the great modern democracies."

Poster for film La Rebelión de Los Mojados, 1954

The story of La Rebelión de los Colgados is a classic depiction of brutal oppression characteristic of feudal times juxtaposed against the era of the industrial revolution. The title derives from the depiction of workers' punishment, if they did not comply with the work assigned. Each individual was forced to cut four tons of mahogany per day, and failure to comply led to punishment: they would be hanged by their limbs from a tree. By the end, the Indians rebel, turning against the company men.